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Erich der Rote
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 #152 16.10.06 - 22:58
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wie geil. noch längeres tarantino/rodriguez vergnügen. wird wegen überlänge wohl auch aufschlag beim kino geben aber wen intressierts ;p
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| #153 05.11.06 - 23:56
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gibt einen interessanten artikel bei mtv.com mit einigen kleinen aber feinen details (keine wirklichen spoiler).
 Zitat: |
Fergie Helping Tarantino, Rodriguez 'Grind' Out Horror Flick
Scene with Kurt Russell touching Rosario Dawson's feet also building buzz for double-edged flick.
HOLLYWOOD — If you're the type of horror fan who's always searching for the next evolution in the genre, there's a good chance you've fallen in love with the buzz-building "Grindhouse" footage making waves on the Internet. If you're the other kind of horror fan — the one who longs for the old days of grainy footage, gore and gratuitous sex — there's also a good chance that "Grindhouse" has been rocking your world lately. And if you haven't seen the clips of Rose McGowan with a machine-gun leg, the Crazy Babysitter Twins painting each other's toenails or cult favorite Danny Trejo as tongue-in-cheek hero Machete, then somebody needs to introduce you to the wonders of a Web browser, post-haste.
A long time ago, in a distant era called the Mid-Nineties, precocious young Hollywood filmmakers Robert Rodriguez and Quentin Tarantino combined forces to create "From Dusk Till Dawn," an ultra-violent flick that reinvented the horror genre by bringing in elements of comedy, exploitation and gangster flicks. Now, a decade later, they've each filmed about an hour of new footage — and judging by the "Sin City"-like buzz that's building around this April release, either of these short movies might be better than most full-length ones (see "Robert Rodriguez, Quentin Tarantino Teaming Up For Exploitation Flick"). A wide cast has already assembled for the affair: In addition to McGowan and Trejo, Rosario Dawson, Kurt Russell, Josh Brolin — and Black Eyed Peas' Fergie — have hopped onboard.
Sydney Tamiia Poitier — daughter of film legend Sidney Poitier — appears in "Death Proof," Tarantino's slasher movie about a homicidal stuntman. "I play Jungle Julia. ... She's a drive-time DJ in Austin, Texas," Poitier said, referring to a character that Tarantino junkies might find somewhat similar to Steven Wright's "Reservoir Dogs" disc jockey. "She's kind of a local celebrity; she's an aficionado of music ... what Quentin Tarantino is to movies, Jungle Julia is to music. So, she plays all her own collection and she is just a really cool chick, and she rolls with her little posse of girls and they go out and have a good time."
One of Julia's loyal listeners is an aspiring actress played by Mary Elizabeth Winstead ("Final Destination 3"). "I play Lee, who's this up-and-coming starlet starring in my first big movie. Rosario Dawson plays my makeup artist, and Zoe Bell is a stunt woman, and Tracie Thoms is also a stunt woman, and we're hanging out together, having a good time," Winstead said of the setup. "There's a lot of really funny dialogue and funny scenes, and then Kurt Russell ends up stalking us. He's a very deranged madman, but we turn the tables on him."
In case that quasi-"Kill Bill" plotline doesn't sound like enough to watch, "Grindhouse" also includes "Planet Terror," a new movie from "Sin City" director Rodriguez. "I play Dakota McGraw-Locke, an anesthesiologist who is on the run," actress Marley Shelton said of her role in the second feature. "I'm planning to make a huge life change, but then our little town in Texas gets overrun by zombies and everything goes in a whole different direction!"
In the middle of all this madness are a number of movie trailers for films that you'll most likely never see, teasing you with such alluring titles as "They Call Him Machete" and "Cowgirls in Sweden." You see, the unusual film format — and the "Grindhouse" name under which it all appears — references a beloved genre of '70s flicks that had a "screw it, let's just have fun" attitude that heavily influenced both Tarantino and Rodriguez.
As a whole, "Grindhouse" promises plenty of carnage, the hallmark dark humor of both directors and even some musical performances. "I actually get to sing in the movie, which I have never gotten to do before," Winstead beamed. "So I had a lot of fun the day I got to belt out a song [and] get really into it. The song is called 'Baby It's You,' it's this '60s soul-funk song," the 22-year-old actress added. "And while I'm singing it, Kurt Russell is, in a very creepy way, sneaking up on Rosario Dawson and touching her feet."
As anyone who remembers Mia Wallace's plush carpet in "Pulp Fiction" or the Bride's coma recuperation technique in "Kill Bill" knows, the sequence continues a tradition of Tarantino's fetishistic affection for his leading ladies' feet. "[The scene] is this really strange but really cool moment," Winstead added. "It's black-and-white and it's really creepy, just the fact that I'm singing so innocently while that really strange thing is happening at the same time. [Filming it] felt like a really classic movie moment."
From Michael Madsen's "Stuck in the Middle With You" dance to "You Never Can Tell" inspiring John Travolta to do the Batusi, old music has always been a key element of a Tarantino flick, and the DJ's playlist in "Death Proof" will once again allow the director to display his record collection. "I'm not allowed to say what the songs are, he keeps that pretty under wraps," Poitier shrugged, "but I can say it's an amazing soundtrack. ... There's a lot of '70s music in there, but not all."
Meanwhile, Shelton says, a modern-day hitmaker will take on her biggest acting role yet in Rodriguez's flick: Fergie. Insisting that she couldn't reveal Fergie's top-secret character, Shelton was then asked whether the Dutchess will unleash a song of her own. This caused Shelton to run over and ask her director for permission to discuss it — after Rodriguez shook his head, she returned with a smile and said, "Sorry, no dice."
Read into that whatever you would like, but if Fergie didn't perform a song, it doesn't seem like there'd be much to ask Rodriguez about.
One thing these leading ladies are eager to discuss, however, is the unusual techniques that their directors use to get such strong performances out of actors. "[Tarantino] really is an actor's director," Poitier said. "We had two weeks of rehearsal before we even started shooting, which is almost unheard of nowadays ... he got all these girls together, the seven of us, and I think part of his ploy was just to get us all to bond and have that connection before we even started shooting; that was really key to our scenes."
The directors also afforded their stars the rare luxury of shooting scenes in near-sequential order, which most actors prefer since it helps them develop their characters naturally. "Only in Robert Rodriguez's world can I shoot the last scene of the movie, on the last day, as my last shot for the film. ... So, I had a full moment of closure, for my character and my experience," Shelton said.
"My favorite day of shooting was probably the first day," Poitier countered. "It was three of us — me, Jordan Ladd and Vanessa Ferlito — in a tiny little Honda Civic, crammed on one of those giant rigs going up and down the biggest street in Austin. ... We did that all day long, and people were yelling out things. They were going to cut the sound, because we got a lot of cat calls and crazy things."
If the footage that's surfaced so far is any indication, the noise is only just beginning. |
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| #154 08.11.06 - 23:44
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wie gesagt, ein paar nette zückerchen in dem artikel oben. der weisse honda civic wird von drei heissen bräuten gefahren, fergie wird in PT wahrscheinlich singen, mary shelton's charakter ist allem anschein nach verwandt mit sheriff eral mcgraw und so weiter und so weiter. singen wird auch elizabeth e. winstead, und zwar in einer szene in DP, die womöglich noch von sich reden machen wird:
| Zitat: |
"I actually get to sing in the movie, which I have never gotten to do before," Winstead beamed. "So I had a lot of fun the day I got to belt out a song [and] get really into it. The song is called 'Baby It's You,' it's this '60s soul-funk song," the 22-year-old actress added. "And while I'm singing it, Kurt Russell is, in a very creepy way, sneaking up on Rosario Dawson and touching her feet."
As anyone who remembers Mia Wallace's plush carpet in "Pulp Fiction" or the Bride's coma recuperation technique in "Kill Bill" knows, the sequence continues a tradition of Tarantino's fetishistic affection for his leading ladies' feet. "[The scene] is this really strange but really cool moment," Winstead added. "It's black-and-white and it's really creepy, just the fact that I'm singing so innocently while that really strange thing is happening at the same time. [Filming it] felt like a really classic movie moment." |
ist wohl dieser song von den "shirelles":
http://www.artistdirect.com/nad/store/artist/album/0,,162375,00.html (track 1)
tönt schon mal nicht schlecht.
ausserdem hat sich auch freddy rodriguez in einem interview zu wort gemeldet. viel spass beim lesen.
| Zitat: |
Actor Freddy Rodriguez is a busy man. Perhaps best known for his role in the HBO original series Six Feet Under, the young performer is in the midst of a budding film career. This month alone boasts two movies that feature him in a leading role — Harsh Times, where he stars opposite Christian Bale and Eva Longoria, and Bobby, where he stars opposite a slew of Hollywood A-listers too numerous to mention.
But the Rodriguez-starrer that genre fans are perhaps most anxiously awaiting is the Robert Rodriguez/Quentin Tarantino collaboration Grindhouse, hitting theaters in April 2007.
"It's an homage to the 1970s exploitation films that were really popular back then, and also an homage to the double feature," explains Rodriguez. "It was big where I'm from in Chicago. You would go to the movies, you would pay one fee and you would see two films. And that's what this is going to be — when you go see this film, Robert Rodriguez is going to direct one and Quentin Tarantino is going to direct the other. And I star in Robert's. In all of Robert's films in the past, he always has a quintessential action hero and that's who I play in the film."
For those who've only just emerged from that rock they've been living under, the two films that comprise Grindhouse are Rodriguez' Planet Terror, a shoot 'em up zombie flick, and Death Proof, more of a traditional slasher film. So it's safe to assume that lots of blood and lots of action are par for the course.
"It's a horror film, so you're going to get a little bit of gore in it. But it's gore with taste, if you can even associate both words," notes Rodriguez of his installment, Planet Terror. "It's gore with class. It's Robert Rodriguez; this guy puts out the good stuff. So you know anything he has his hand in is going to be good. And also Quentin — anything he has his hand in is going to have that certain level of quality to it."
Known more for his dramatic turns, Rodriguez found the intense action required of him for the project challenging, but manageable.
"It was hard, but thank God I have a dance background and I've always tried to stay in shape," says Rodriguez. "Thank God for that because if I didn't, it was the most physically demanding film I've ever done in my life. And we were working nights for four months, which would mean I would go to work at 7 p.m. and get out at 7 a.m., which is just hard. But nevertheless, [it was] a great, great experience."
With two "segments" (as Planet Terror and Death Proof are referred to) comprising one film, not to mention the numerous fake movie trailers interspersed in-between, it's a wonder what the final running time for Grindhouse will clock in at.
"I'm not sure," comments Rodriguez. "It started off as like, 'Oh, we're going to shorten this up.' But, come on. You have Quentin and Robert. Those guys are not going to make small movies. At this point, I don't even know how long the movies are going to be." |
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Vic 
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| #155 09.11.06 - 22:43
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too much to read, ich warte wieder auf was handfestes ...
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| #156 11.11.06 - 14:47
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wieder die alte laier. oh man.
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Raoul Duke
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| #157 12.11.06 - 11:52
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das interview von freddy rodriguez bringt ja erst ma nicht wirklich was neues,oder hab ich was übersehen?
der song hat was^^
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Vic
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| #159 13.11.06 - 02:30
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Das erste Poster ist genau wie das zweite ein Motiv-Klau. Es handelt sich beim dem Original um den Sci-Fi-Klassiker "Planet der Vampire"von Mario Bava. Ich kenn den Film leider immer noch nicht, soll aber super sein und z.B. auch großen Einfluss auf Ridley Scott´s "Alien" gehabt haben.
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s1R
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| #160 13.11.06 - 15:06
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Dann kann man nur hoffen, dass die Poster die Werke von Fans sind. Wenn man einfach ein altes Poster kopiert, ist das ja nun wirklich armseelig.
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Vic
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| #161 16.11.06 - 09:08
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hab noch nen trailer von der comic.con auf youtube gefunden, indem QT/RR und die andere filmcrew ein bißchen ausführlicher über GH quatscht. zumindst hab ich den noch nicht gesehen.
jemand fragt quent über die songs im film und er erzählt was von jukebox, die ständig läuft usw. was ich damit sagen will ist, dass wir uns sicherlich auf nen geilen soundtrack freuen können ...
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hier noch was. quent sagt voller enthusiasmus: "we will make a god damn kick your ass movie, we will take it all over the fucking planet earth, not america, not new york, the planet fucking earth!" ... na bitte, er ist überzeugt ...
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Max_Cherry
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| #163 16.11.06 - 11:07
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ja richtig, von dem können wir sowieso ausgehen. ich habs nur mal erwähnt, weil quent in dem clip davon sprach, dass in der bar ständig ne jukebox läuft und ein weibl. dj kommt auch vor. klingt nach mehr songs, als sonst. viell. gibts ja nen doppel-cd soundtrack, wär mal was neues bei qt movies. so wie zB der forrest gump o.s.t. ...
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| #165 15.12.06 - 10:27
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Sieht alles schon mal sehr interessant aus, allmählig werd ich ganz wuschig, gibt es schon einen deutschen Starttermin? Bzw. überhaupt irgendeinen Starttermin?
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Allgemeiner Grindhouse-Thread - Seite 11
